TURNER AUDIO AM-FM TUNER
with tubed multiplex stereo decoder. 
This page contains :-
Picture of the AM/FM tuner.
History of my tuner design, Schematics for FM input front end, 10.7MHz IF strip and ratio detector,
stereo multiplex decoder, AM tuner and audio detector, power supply and full explanations of how it all works.
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There is nothing fabulously good looking about this fully tubed AM-FM tuner which was once a very
mediocre sample of a Trio tubed AM-FM receiver with 5 watt SE channels from the late 1950s.

It is an experimental radio tuner and for my own use only so I have not bothered to have the front panel
professionally re-created.
In the earlier edition of this website I had a page on the multiplex stereo decoder I had fitted within the above Trio AM-FM receiver which I had heavily modified.  I'd bought the Trio cheaply for the purpose of being able to educate myself about tubed am/fm tuners and multiplex decoders. What I learned immediately was how poorly the Trio worked, and how poorly the stereo decoder worked, and in general how poorly the unit was designed. In stereo FM the sound was like listening to
to music coming via a long drain pipe; I couldn't figure what exactly what was wrong, and I forced myself to learn a lot.
Einstein said things should be designed simply as possible, but no simpler. Sure, Trio had done things too simply.

I spent many days reading the dusty and mouldy old books in the Australian National University archives where I found many schematics and servicing advice for late 1950s and early 60s tubed FM receivers in text books from which some makers had based their circuitry upon.
In about 1999 I revised the IF design and ratio detector and I replaced the existing multiplex decoder with one shown on my earlier website edition but the stereo separation above 5kHz was poor due to the unavoidable phase shifts occurring in
steep cut filters before the matrixing to get L &R output signals.

Late in 2005 I returned to my old receiver and removed all the audio amp circuitry to allow the receiver unit to become a dedicated tuner with some additional tubes in the multiplex decoder, and to allow better use of the power supply.
The multiplex decoder is based on the principles used in the early add on multiplex unit made for the early
tubed Quad FM tuner. Quad's early add-on "MPX" unit used just 3 transistors and some diodes, and was not a wonderful
performer. But Quad knew what they were doing; something had to be done to satisfy demand for stereo........

But I can say my tuner is now a Turner Tuner, but based upon the wisdom of my father's generation.

I will happily compare it to a Leak Troughline tuner or any other from Fisher, Scott, Eico, etc.


The schematics of the whole tuner are below.

FM input stages,


This front end is about as simple as possible and yet there are adequate features, and is little different from an original Trio circuit from 1958.
I found the emission of one of the 6AQ8 of the original was low and so I revised the heaters to suit a 12AT7
which can replace the less common 6AQ8 without other circuit changes.

The circuit has automatic frequency control which I leave permanently connected but you can still tune
along the band OK with the stations popping from one to the next without to much drag from the AFC.
 The tuning stability is so good that once tuned, it stays on a station for days.
 Tuning methods are explained below....

10.7MHz IF amps, limiter and ratio detector.


The IF amps and limiter are very conventional for the era. The limiter works as a grossly overloaded single ended pentode
which is coupled with tuned transformers. The signals entering the V6 limiter grid do not have to be strong to reach a threshold level above which clipping occurs and any further grid input signal level will not produce much increase in output amplitude levels. the signals applied to V6 grid are many times the threshold for the beginning of limiting during normal operation.
The greater the antenna signal, the greater is the IF signal, and so variations in amplitude are rejected by the limiter,
and so are bursts of noise. The frequency variations of the 10.7MHz signal are well preserved, so the
audio and multiplex info remains intact despite the limiting action. Only variations in amplitude are limited and only the frequency variations are passed to the ratio detector which itself tends to be less susceptible to amplitude variations than Foster Seeley or some other types of FM detectors.
The grid current of the V5 6AU6 limiter produces a negative voltage across C8 which is applied back
along R5,6,7 to previous stages to lessen the current draw of the 3 pentodes once a station is tuned.
The tuner seems to like a high level of input signal from local stations to achieve really low noise levels.

Two meters are used to indicate tuning.
Station tuning is correct when the signal strength meter needle leans to the right as much as possible *and*
the zero volt meter is adjusted for 0V, the centre needle position.
The IF transformers are aligned to get maximum IF gain and limiting negative voltage using a 10.7MHz test oscillator.
The ratio detector transformer is tuned to get maximal audio output signal at the lowest THD and the
dc output should be 0V.

When tuning the station, the signal strength is indicated by the signal strength meter deriving a voltage from the cathode of V4 at R8 and V5. As signal strength increases, negative grid bias is generated at V5 6AU6 limiter because of grid current
charging of C8 due to V5 overloading and the bias voltage is used as an automatic gain controlling voltage, AGC, applied to V3, V4 IF amps.
The signal at V4 cathode goes more negative when a station is tuned so the applied negative going voltage is applied across the signal meter which has a slight positive voltage applied to one side via R1/R2 divider from the supply B+.

Once the station is tuned, the 0V signal derived from the ratio detector "centre point" between R15/R16 and is applied
to the grid of  V1a. V2b is the RF oscillator which oscillates at 10.7MHz below the FM station frequencies.
The oscillator tank LC circuit is connected to the anode circuit of V1a.
The dc applied signal at V1a grid varies its transconductance and thus the capacitance looking into the anode circuit of V1a
becomes variable according to the applied dc grid voltage. The amount of capacitance variation is quite small in the region of a few pF, but at 100MHz 2pF has a large effect on oscillator tuning frequency, and the circuit is so arranged that
if the ratio detector develops a dc offset voltage due to the IF frequency drifting away from 10.7MHz, since the oscillator has drifted, then that dcV tends to cause a capacitance change in V1a which opposes such a change to the oscillator frequency,
so any effect of drift due to temperature is reduced about tenfold and the set remains well tuned.
Slight dcV offsets of +/- 1V are not enough to upset the linearity of the composite signal output from the ratio detector.
Without AFC there would be far greater dcV offsets and tuning would indeed not always stay where one sets it, and audible noise and distortion is the result.
 
I was thinking of using a 6DT6 quadrature detector but there was no need because the ratio detector transformer
in the original trio was quite OK.
The ratio detector diodes should be fast silicon signal diodes such as IN918, etc.

Turner stereo multiplex decoder, 2005


The composite signal without any de-emphasis is amplified by V6 6DJ8 to raise its level about 6 times.
The low impedance signal from V6 cathode follower is applied to the two seriesed 19kHz bandpass LC filters
via C6 to extract the 19kHz and exclude all other F so it can be amplified by V7, 12AT7.
The tuning of seriesed bandpass filters L2/C4, and L3/C5  needs to be fairly stable to make sure the phase does not vary at the output of the 19kHz amp V7 anode. C4,5 were trimmed to get the phase of the 19kHz at V7 grid to be exactly the same
as at V6 cathode. I tuned the L2/C4 and L3/C5 by using just the right paralleled values of polystyrene capacitors.

The amplified 19kHz pilot tone is applied to T1 and the full wave rectifiers 1N4007 produce a
38kHz signal at R12, which is applied to V8 A grid.
V8A&B, 6CG7, form a 38kHz oscillator which is synchronized or locked by the incoming 38khz signal at R12.
The balanced output of tuned T2 is a clean 38 kHz sign wave. The tuning of T2 and T1 can make the 38kHz signal
have the correct phase relationship with the 38kHz suppressed carrier signal containing L - R  AM modulation.
 The 38kHz reconstructed carrier signal must have the correct phase relationship
to the 38kHz suppressed carrier double sideband signal and this phase relationship is dependant on the tuning
of the 19kHz bandpass filters of L2/C4, L3/C5, as well as the tuning of T1, and T2.
T1 has one ferrite tuning slug and and T2 has two, and its a little difficult to describe exactly how I got it all to align, but it does, and it didn't vary much once adjusted when the tuner is warmed up. It is important to do alignment when such a tuner
is well warmed up so tuning errors occur only when the tuner is cool, with some warmth then helping the alignment.

The double bandpass filters of L2/C4, L3/C5 are necessary to stop harmonics of lower frequencies from entering the V7 19kHz amplifier since these harmonics tend to make the 19kHz vary in amplitude and phase dynamically, which can then
cause the 38kHz re-constructed carrier also vary slightly in amplitude and phase thus upsetting the fidelity of the recovered stereo L and R signals. The transmitter may or may not have a notch filter to remove audio artefacts between say 18kHz and 20kHz before they add in a constant amplitude 19kHz pilot tone. But in observations of some signals on the band I found some station's 19kHz tone to appear to have some amplitude variations.
if high level second harmonics of 9.5kHz audio tones occur, they can end up in the 19kHz amp in the receiver.

((((  There is good reason that the 38kHz carrier component of the 38kHz AM signal modulated with L-R audio
is not simply included in the composite signal. It may have made detection audio of L-R much easier but the overall amplitude of the modulation signal used to modulate the frequency of the 100MHz FM carrier would be too high, about 6dB greater.
The system allows only +/- 75kHz variation in 100MHz carrier and it is the F deviation which determines the
amplitude of recovered audio. If there was less deviation used for the L+R main signal the SNR would be worse, and if +/-150kHz of deviation was allowed, bandwidth occupied by a station would be doubled, so only 1/2 the stations would fit onto the
88 - 108 MHz band. Because deviations allowed is +/-75kHz, we only need an IF bandwidth of 300kHz
to ensure there is minimal compression with a restricted IF strip bandwidth.
When they dreamed up the Zenith-GE  FM stereo standards in the late 50s, tubes were still king, and whatever was adopted for the stereo standard had to be not just possible but reliable using tubes.
The system also allowed for additional sub-carriers to be added into the modulation composite signal but
here in Australia we don't have to have filters to remove 67kHz or other carriers, although the higher carriers are
used on some stations to carry a whole extra radio station's mono signal. One station I know which catered for
horse racing broadcasts also carried the BBC News radio station which could be received using a special filter
to retrieve the signal from the composite; a customer I had once had me build and install a kit someone put out to receive such signals and amazingly it worked very well. ))))


The cathode follower signal from V6 is also applied to the bridged T notch LC filter ( L1 ) tuned at 19kHz to reject the
19kHz pilot tone which has an amplitude of 10% of the maximum audio amplitude.
This is a band stop filter with a very high Q, and all audio L+R signals and the 38kHz double sideband signal with L-R modulation sidebands is all allowed to pass, and is applied to the T2 CT of the T2 secondary which is floating.
The floating secondary is magnetically coupled to the T2 primary, so the the 38kHz oscillator signal is thus added to the
total composite signal including suppressed carrier DSB signal, but not including the 19kHz pilot tone.
The signal at each end of the centre tapped T2 secondary has oppositely phased 38kHz signals. But the phase of the
composite signal is the same at each end of T2 secondary. So you can draw the wave forms if you are really keen.
The wave forms are simplest where you have just one channel that is modulated.
I have drawn up all the wave forms and do know what is happening, and rather than spoon feed everyone,
do try to draw the wave forms yourself. Should you not do this exercise using a 10kHz audio sine wave tone for
one channel then you may not ever understand the schematic I have drawn and you won't know how to build and get this schematic to work for you, and you won't get good stereo separation.

The output of T2 secondary is applied to each side of the diode ring demodulator.
This is the part that hardly anyone understands, but currents flow in alternate directions at a rate of 38kHz
in R13&R14, or R16&R15, and the diodes control the direction of flow.
At C16 and C17, the L signal and R signal is created due to the mixing of L-R audio modulation amplitudes of the
38khz carrier and the L+R audio signals present. The audio waves at C16 and C17 look like
audio F sine waves but with a staircase 38kHz wave imposed upon them. This basically is switching noise.
The C16 and C17 audio signals are applied to the high impedance inputs of the buffer cathode follower V9A&B, and the low impedance output signal from the cathodes is applied to a bandpass filter, see left channel, R26, C24, L4, C26. This filter removes the switching artefacts, ie, the 38kHz staircase waves. The de-emphasis for the L&R channels is achieved with the combined effects of R17&C16, R18&C17 and the low pass filters.
The signal output after the LPF is taken to a switch for selecting FM stereo, FM mono, or AM mono.
The output from the switch is buffered with a second cathode follower, V13A&B, and the output taken to the
outside world.
The FM mono signal is taken from the V6 cathode follower after the 19kHz notch filter and applied to the de-emphasis
and 35kHz bandstop filter before being taken to the switch for mono FM selection.
This method of deriving the mono signal allows the allows mono signal to be independently gained without just
summing L&R signals after they have been passed through the diode matrixing ring demodulator, so
the distortion of the mono signal should always be less than the stereo signal.

The sound quality does not change when switching from stereo FM to mono FM except that the the stereo signal
gives good stereo imaging, and so I could say the THD is less than 2% at a high signal level. Perhaps it is better
but there probably is some THD in my signal generator based on the BA1404 chip which is not a best quality chip
to produce a stereo FM radio signal.
The sound is very listenable and compares very favourably with more recent FM tuners using all chip based circuits.
 
Separation of channels is better than 35dB between 30Hz and 15kHz. I tested with a signal gene which allows me to apply
a different audio sine wave to each channel of the signal gene. The 96MHz FM stereo test signal is then received by
an FM radio under test and the amount of each audio signal in each channel can be
displayed on a dual trace oscilloscope. When one channel only has modulation, the amount of signal
"leaking" into the other channel at -35dB compared to the channel with its modulation as the reference 0dB.

I was able to use the existing T2 38kHz transformer that was in the old Trio circuit. I wound the coils used for L1,
and T1. L2,3, 4,5 were small inductors I had acquired; they worked, but anyone could wind such inductors
using some fine 0.1mm dia wire and a ferrite bobbin.

Every single capacitor and resistor has a critical value and perhaps several reasons why it has been chosen.
C2,3 are used to tweak the phase response of the composite signal amp, V6, If the C2/3 are not the right value
the separation will be poor.
There  would be those who may be tempted to try a phase locked loop for synchronizing the
38kHz oscillator to the pilot tone.  I have not explored this method, but it would be quire acceptable
to use a chip for this since once the locking or synchronizing of the 38kHz oscillator carrier signal is achieved,
there will be no difference to the audio.


AM tuner and audio detector.


The tube line up in this AM BROADCAST BAND for 500kHz to 1,700kHz front end is very common in many radios of the 1950s, except for the features which make the audio performance a lot better than most old AM radios and tuners......

On the 6BE6 oscillator grid input, there is an unusual network of C7&R2 and R1 is in series with the oscillator grid.
This network is a one of those ceramic cap filters with CRC within, and common in Japanese electronics or that era.
This was in the original Trio circuit which I think is an attempt to filter out the oscillator harmonic currents
which could cause interference with pick up from short wave stations because if the harmonics of the oscillator
currents and short wave stations have a difference in F of 455 kHz then they will be included in the
IF signals and detected by the audio detector.

On IFT1, there is a tertiary winding of about 10 turns placed over the top of a normal IFT primary.
The wire is about 0.15mm dia, and well insulated from the B+ in the primary.
When this coil is switched in series with the secondary, the IF bandwidth response is much widened, and in fact
becomes slightly double peaked. This gives much wider and flat audio bandwidth when the
two IFT responses are summed after the IF signal is amplified by V11, 6BA6.
Tuning is supposed to be easiest with the IFT1 tertiary switched out so that there is a single peak in the IF response,
but in fact the original Trio IFTs do give a slightly twin peaked IF response even when ever so carefully aligned.
However, setting the tuning for between the two slight peaks is easy.
Then the tertiary is switched in and the IF bandwidth is increased from about 8kHz to 16kHz,
thus permitting audio bandwidth increase from 4kHz to 8kHz.
Tone control by the listener can boost the treble to about 10kHz so not much is lost from transmitted signals
which contain up to 9kHz of audio bandwidth at least here in Australia.
The tuning meter is not a Trio item and a suitable meter was set up as I needed to to measure the V11 dc current.

Virtually nobody else uses the cathode follower buffer, ( V12, 6AU6 ), after the last IFT secondary.
But not only does this CF isolate the loading effects of the diode detector from the secondary
of the 6BA6, it provides a low impedance output to drive the 1N914 silicon diode detector.
I have found the detector circuit as shown to give lower thd than a tube diode detector. The grid of the IFT2 sec is biased
at +31V to give some idle current in the cathode R9, and to trickle a small current in the 1N914 diode via R16&R17,
so that the non-linear turn on character of the diode is avoided, since it is always slightly turned on by the idle dc flow.

However, the AVC voltage is gained from C18 and 1N914 which are powered off the IFT2 sec because their loading
effect is so slight.
A slight negative bias is maintained on the AVC line, about -1.8V at the bottom of C16, to stop too much Ia flow
in tubes when no AVC voltage is being generated when the tuner is left untuned to any station.  with AVC applied.

The detector output is divided down by R16&R17 to give about a volt rms of output when a local station is tuned.
Further slight boost of treble signals could be achieved with a small cap across R16 but I found it unnecessary.

AM-FM Tuner power supply.

This is a very simple power supply for a tubed tuner. It has some zener diode shunt regulators for the input stages for the
FM and the 38kHz oscillator stages to ensure tuning stability is very good.

The original Trio power transformer was too small and ran too hot, so an auxiliary power transformer was fitted to share the load
when the tuner was a receiver with 4 other audio tubes. I have added small signal tubes but retained the two
power transformers so the unit now runs fairly cool.
There was no need to rectify the heaters to reduce hum; this was tried, but the very low hum levels on the AM and FM
audio output signals was not reduced, and remained negligible.

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